This story reminded me very much of Extremely Loud and Incredibly Close, in which to mourn his dead Jewish father, a childlike oddball (aided by an old man) embarks on an offbeat quest, meaningfully touching the lives of the people he meets and musing on the ripple effects of large-scale human tragedies.
In Paolo Sorrentino’s first English-language drama, retired goth-rocker Cheyenne (Sean Penn) leaves Ireland and his no-nonsense wife Jane (Frances McDormand) for his native US. There, aided by legendary Nazi-hunter Mordecai Midler (Judd Hirsch), he seeks his dad’s former Auschwitz tormentor. You’d better like the titular Talking Heads song; there are at least three versions here including a live performance by David Byrne, who composed other soundtrack songs and cameos as himself.
The leisurely-paced Nazi-huntin’ is basically a backdrop for Penn’s nutty characterisation. At first an indulgent, somnolent, Robert Smith-meets-Edward Scissorhands caricature, Penn imbues Cheyenne with some surprising, enjoyable flashes of subtlety and acuity. And despite the many weird characters, the quirkiness and schmaltz factor is underplayed. I found the subplots too confused and the ending too opaque to be satisfying, but the meditative, mysterious tone leaves viewers to draw their own conclusions about Cheyenne’s history and motivations.
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