2014, Katerina Sakkas wrote in RealTime that “the most powerful horror films are underscored by reality, presenting recognisable fears and anxieties in magnified and fantastic form.” Indeed, writer-director Jennifer Kent’s debut is a haunted-house horror film of folkloric dimensions and feminist temperament, in which a family home harbours the unspoken terrors and taboos of parenthood. A small boy’s beloved storybook monster morphs into a far more sinister organism, a long-fingered, top-hatted creature called The Babadook that torments his mother, who is in the throes of grieving her partner’s death.
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